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<title>Harry Klee</title>

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<h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Harry Klee</span></h1>

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<div id="mw-content-text" class="mw-body-content mw-content-ltr" lang="de" dir="ltr"><div class="mw-content-ltr mw-parser-output" lang="de" dir="ltr"><p><b>Harry G. Klee</b> (* um 1915; † nach 1981) war ein <a href="Vereinigte_Staaten" title="Vereinigte Staaten">US-amerikanischer</a> <a href="Jazz" title="Jazz">Jazz</a>- und <a href="Studiomusiker" title="Studiomusiker">Studiomusiker</a> (<a href="Fl%C3%B6te" title="Flöte">Flöte</a>, <a href="Piccolofl%C3%B6te" title="Piccoloflöte">Piccoloflöte</a>, <a href="Altsaxophon" title="Altsaxophon">Altsaxophon</a>, <a href="Klarinette" title="Klarinette">Klarinette</a>, <a href="Bassklarinette" title="Bassklarinette">Bassklarinette</a>). Klee gehörte zu den Pionieren der <a href="Jazzfl%C3%B6te" title="Jazzflöte">Jazzflöte</a>.<sup id="cite_ref-flute_1-0" class="reference"><a href="#cite_note-flute-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading2"><h2 id="Leben_und_Wirken">Leben und Wirken</h2></div>

<p>Klee war ab den 1930er-Jahren in der Jazzszene aktiv; ab den frühen 1940er-Jahren spielte er in Kalifornien in den Swingbands und Orchestern von <a href="Charlie_Spivak" title="Charlie Spivak">Charlie Spivak</a> (mit dem auch 1941 erste Aufnahmen entstanden), ab 1944 bei <a href="Gene_Krupa_and_His_Orchestra" title="Gene Krupa and His Orchestra">Gene Krupa and His Orchestra</a>, <a href="Ray_Linn" title="Ray Linn">Ray Linn</a>, <a href="Boyd_Raeburn" title="Boyd Raeburn">Boyd Raeburn</a> (1945/46), <a href="Artie_Shaw" title="Artie Shaw">Artie Shaw</a>, <a href="Ralph_Burns" title="Ralph Burns">Ralph Burns</a>, <a href="George_Handy" title="George Handy">George Handy</a>, <a href="Mel_Torm%C3%A9" title="Mel Tormé">Mel Tormé</a>/<a href="Sonny_Burke" title="Sonny Burke">Sonny Burke</a>, <a href="Dinah_Shore" title="Dinah Shore">Dinah Shore</a>/<a href="Woody_Herman" title="Woody Herman">Woody Herman</a>, <a href="Mary_Ann_McCall" title="Mary Ann McCall">Mary Ann McCall</a>/<a href="Phil_Moore" title="Phil Moore">Phil Moore</a>, <a href="Anita_O%E2%80%99Day" title="Anita O’Day">Anita O’Day</a>, <a href="June_Christy" title="June Christy">June Christy</a> sowie in den Studio-Orchestern von <a href="Neal_Hefti" title="Neal Hefti">Neal Hefti</a>, <a href="Henry_Mancini" title="Henry Mancini">Henry Mancini</a>, <a href="Pete_Rugolo" title="Pete Rugolo">Pete Rugolo</a> und <a href="Nelson_Riddle" title="Nelson Riddle">Nelson Riddle</a>.<sup id="cite_ref-lord_2-0" class="reference"><a href="#cite_note-lord-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup>

</p><p>In den 1950er-Jahren arbeitete Klee weiterhin mit <a href="Buddy_Collette" title="Buddy Collette">Buddy Collette</a> and His Swinging Shepherds, <a href="Stan_Kenton" title="Stan Kenton">Stan Kenton</a>, <a href="Conrad_Gozzo" title="Conrad Gozzo">Conrad Gozzo</a>, <a href="Louis_Armstrong" title="Louis Armstrong">Louis Armstrong</a>/<a href="Benny_Carter" title="Benny Carter">Benny Carter</a>, <a href="Jimmy_Giuffre" title="Jimmy Giuffre">Jimmy Giuffre</a>, <a href="Patti_Page" title="Patti Page">Patti Page</a>, <a href="Hoagy_Carmichael" title="Hoagy Carmichael">Hoagy Carmichael</a>, <a href="Fred_Katz" title="Fred Katz">Fred Katz</a>, <a href="Johnny_Mandel" title="Johnny Mandel">Johnny Mandel</a>, <a href="Eartha_Kitt" title="Eartha Kitt">Eartha Kitt</a>, <a href="Peggy_Lee_(S%C3%A4ngerin)" title="Peggy Lee (Sängerin)">Peggy Lee</a>, <a href="The_Four_Freshmen" title="The Four Freshmen">The Four Freshmen</a>, <a href="Keely_Smith" title="Keely Smith">Keely Smith</a>, <a href="Billy_May" title="Billy May">Billy May</a>, <a href="Carmen_McRae" title="Carmen McRae">Carmen McRae</a>, Connie Russell und <a href="Skip_Martin_(Schauspieler)" title="Skip Martin (Schauspieler)">Skip Martin</a>. In den folgenden Jahren war er weiter als Studiomusiker aktiv; außerdem nahm er mit <a href="Dave_Pell" title="Dave Pell">Dave Pell</a>, <a href="Frank_Capp" title="Frank Capp">Frank Capp</a>, <a href="Dean_Martin" title="Dean Martin">Dean Martin</a>, <a href="Sarah_Vaughan" title="Sarah Vaughan">Sarah Vaughan</a>, <a href="Rosemary_Clooney" title="Rosemary Clooney">Rosemary Clooney</a>, <a href="Al_Hibbler" title="Al Hibbler">Al Hibbler</a>/<a href="Gerald_Wilson" title="Gerald Wilson">Gerald Wilson</a>, <a href="Al_Hirt" title="Al Hirt">Al Hirt</a>, <a href="Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a>, <a href="Erroll_Garner" title="Erroll Garner">Erroll Garner</a>, <a href="Frankie_Randall" title="Frankie Randall">Frankie Randall</a>, <a href="Nancy_Wilson_(S%C3%A4ngerin)" title="Nancy Wilson (Sängerin)">Nancy Wilson</a>, <a href="Ella_Fitzgerald" title="Ella Fitzgerald">Ella Fitzgerald</a>, Patty Weaver, <a href="David_Allyn" title="David Allyn">David Allyn</a> und <a href="Jo%C3%A3o_Gilberto" title="João Gilberto">João Gilberto</a> auf. Im Bereich des Jazz war er zwischen 1941 und 1981 an 183 Aufnahmesessions beteiligt.<sup id="cite_ref-lord_2-1" class="reference"><a href="#cite_note-lord-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Klee war der Schwager des Jazzpianisten <a href="Edwin_Finckel" title="Edwin Finckel">Edwin Finckel</a>.

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<div class="mw-heading mw-heading2"><h2 id="Würdigung"><span id="W.C3.BCrdigung"></span>Würdigung</h2></div>

<p>Klee, der ab 1944 bei Ray Linn<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> und 1946 bei Boyd Raeburn auch die Flöte einsetzte, gehörte zu den Pionieren des Instruments im Swing und Jazz.<sup id="cite_ref-flute_1-1" class="reference"><a href="#cite_note-flute-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Bereits in den 1930er-Jahren war er (neben <a href="Wayman_Carver" title="Wayman Carver">Wayman Carver</a>) einer der ersten, die Versuche unternahmen, die Flöte im Jazz einzusetzen, zunächst aber ohne bleibende Wirkung.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> <a href="Herbie_Mann" title="Herbie Mann">Herbie Mann</a> zählte Klee zu seinen Vorbildern.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading2"><h2 id="Diskographische_Hinweise">Diskographische Hinweise</h2></div>

<ul><li><a href="Jimmy_Giuffre" title="Jimmy Giuffre">Jimmy Giuffre</a>, <a href="Bob_Cooper" title="Bob Cooper">Bob Cooper</a>, Harry Klee, <a href="Bob_Enevoldsen" title="Bob Enevoldsen">Bob Enevoldsen</a> with the <a href="Marty_Paich" title="Marty Paich">Marty Paich</a> Octet: <i>Tenors West</i> (GNP, 1956)</li>

<li>Buddy Collette's Swinging Shepherds: <i>Four Swinging Shepherds</i> (<a href="EmArcy_Records" title="EmArcy Records">EmArcy Records</a>, 1958), mit <a href="Paul_Horn_(Musiker)" title="Paul Horn (Musiker)">Paul Horn</a>, <a href="Bud_Shank" title="Bud Shank">Bud Shank</a>, <a href="Bill_Miller_(Musiker)" title="Bill Miller (Musiker)">Bill Miller</a>, Joe Comfort, Bill Richmond, Pete Rugolo (arr)</li>

<li>Buddy Collette's Swinging Shepherds: <i>At the Cinema</i> (<a href="Mercury_Records" title="Mercury Records">Mercury Records</a>, 1959), mit Paul Horn, Bud Shank, Bill Miller, John Williams, <a href="Jim_Hall_(Musiker)" title="Jim Hall (Musiker)">Jim Hall</a>, <a href="Red_Mitchell" title="Red Mitchell">Red Mitchell</a>, <a href="Shelly_Manne" title="Shelly Manne">Shelly Manne</a>, <a href="Earl_Palmer" title="Earl Palmer">Earl Palmer</a>, Pete Rugolo (arr)</li></ul>

<div class="mw-heading mw-heading2"><h2 id="Weblinks">Weblinks</h2></div>

<ul><li><a rel="nofollow" class="external text" href="https://www.allmusic.com/artist/mn0001186768">Harry Klee</a> bei <a href="AllMusic" title="AllMusic">AllMusic</a> (englisch)</li>

<li><a rel="nofollow" class="external text" href="https://www.discogs.com/de/artist/Harry+Klee">Harry Klee</a> bei <a href="Discogs" title="Discogs">Discogs</a></li>

<li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm4068027/">Harry Klee</a> bei <a href="IMDb" title="IMDb">IMDb</a></li></ul>

<div class="mw-heading mw-heading2"><h2 id="Einzelnachweise">Einzelnachweise</h2></div>

<li id="cite_note-flute-1"><span class="mw-cite-backlink">↑ <sup><a href="#cite_ref-flute_1-0">a</a></sup> <sup><a href="#cite_ref-flute_1-1">b</a></sup></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.flutehistory.com/Playing/Jazz.php3">A Short History of the Jazz Flute by Peter Guidi</a></span>

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<li id="cite_note-lord-2"><span class="mw-cite-backlink">↑ <sup><a href="#cite_ref-lord_2-0">a</a></sup> <sup><a href="#cite_ref-lord_2-1">b</a></sup></span> <span class="reference-text"><a href="Tom_Lord" title="Tom Lord">Tom Lord</a>: <i>The Jazz Discography</i> (online, abgerufen am 4. Oktober 2018)</span>

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<li id="cite_note-3"><span class="mw-cite-backlink"><a href="#cite_ref-3">↑</a></span> <span class="reference-text">Zu hören etwa in „<a href="Caravan_(Jazzstandard)" title="Caravan (Jazzstandard)">Caravan</a>“ (1945), mit Ray Linn (tp), Joe Howard (tb), Harry Klee (fl), Deacon Dunn (ts), Tommy Todd (p,arr), <a href="Al_Hendrickson" title="Al Hendrickson">Al Hendrickson</a> (git), Phil Stephens (kb) und Jackie Mills (dr), Sonny Burke (arr).</span>

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<li id="cite_note-4"><span class="mw-cite-backlink"><a href="#cite_ref-4">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.jazzresearch.org/1/1/node/302/">Aspekte zur Entwicklung des Flötenspiels im Jazz zwischen 1950 und 1980</a></span>

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<li id="cite_note-5"><span class="mw-cite-backlink"><a href="#cite_ref-5">↑</a></span> <span class="reference-text"><a href="Leonard_Feather" title="Leonard Feather">Leonard Feather</a>, <a href="Ira_Gitler" title="Ira Gitler">Ira Gitler</a>: <i>The Biographical Encyclopedia of Jazz.</i> Oxford University Press, New York 1999, ISBN 0-19-532000-X.</span>

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Normdaten (Person): <a href="Gemeinsame_Normdatei" title="Gemeinsame Normdatei">GND</a>: <span class="-print"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/141510145">141510145</a></span> | <a href="Library_of_Congress_Control_Number" title="Library of Congress Control Number">LCCN</a>: <span class="-print"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/no93024803">no93024803</a></span> | <a href="Virtual_International_Authority_File" title="Virtual International Authority File">VIAF</a>: <span class="-print"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/68502327/">68502327</a></span> | </div>

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